Summer Doodling, Summer Not

Who's that girl with the glasses, the fuzzy dog, and the chicken pot pie? It's Marlys, protagonist of Lynda Barry's phenomenal comics.

Has it been nearly a month since I posted? Here are a few of the reasons why:

1. Finished revision of book dummy for a new book about ocean scientists called I Dive to the Bottom of the Ocean (and Come Back to Tell the Tale). My painting hand hurts.

2. Attended Lynda Barry's outstanding writing workshop Writing the Unthinkable at the Omega Institute, which is spectacularly lovely. And Lynda's my idol and guru, particularly for her amazing comics that you can see here. My writing hand hurts.

3. Completed new Humanimal Doodles about lab mice and hagfish. My doodling hand hurts!

How's your doodling hand? If it's not hurting too much, consider designing a Google Doodle -- that's one of those things they have on their opening page which I've written about before here.

Tomorrow, July 17, the San Francisco Museum of Modern Art is hosting a Family Day focused on doodling. Not only can you view the regional winners of the Google Doodle contest, you can try your (non-hurting) hand yourself. For more on this, click here.

Doodle on, dudes! I'm off to vacation, my sketchbook tucked under my arm. Among other art destinations: the Uffizi gallery in Florence... Ciao, belli. I'll be back soon

Richard Scarry and other giants of doodling

Thanks to Grace Lin for pointing out that yesterday's Google Doodle honored the birthday of Richard Scarry.

My little brother Bill was born six years after me, and I spent a lot of my early years "reading" Richard Scarry to him. I've heard that some parents (or adult sibs, or whoever's doing the reading) would rather read something that has more words or story or something, but for Bill and me, Scarry was the bomb. Plenty of story there, and we made up our own words whenever necessary. We pored over the pages of tiny drawings, scoping the big picture but also looking closely to find the little accidents that were always happening in the details, as well as repeat characters such as Bugdozer, Bananas Gorilla, and my favorite, Lowly Worm. No wonder I'm good at finding Waldo. I learned about the visual story -- and scanning -- from Richard Scarry.

I've been thinking about Scarry and how he put together those big spreads of pictures, back in the day before Wacom boards and Adobe this-and-that. While googling (naturally) Scarry illustrations, I came up with this piece of art being offered for sale. It seems to be an early drawing (maybe a draft, or something from early in Scarry's career) about a bunny going to the doctor.

Those things flying through the air are band-aids -- all that might be required to fix a hurt bunny. I love thinking of Scarry sitting drawing those zillion band-aids, and wonder at the mind that created those giant spreads full of minutia. Yes, Scarry was brilliant at his drawings, but what I loved the most was the sense of humor that came through. Example: the pie faces in the book cover here:

Once in a while I revisit something I used to read and realize in one of my DUH moments that this old thing must have given me an AHA moment as a kid. As in "Aha! It's cool to be whacky and insane and smart all at once" -- like Scarry. And it wasn't an easy trick, either -- take it from someone who has tried.

Thanks to Google for encouraging Scarry's kind of whacky, insane smarts -- through their ingenious logos. Some favorites of mind are here (for the 94th birthday of cartoonist Will Eisner)

here (for Japans' Girls' Day celebration)

and here, my very favorite ever, for Jules Verne's birthday:

I appreciate Google's competitions because they encourage people to explore the visual side of a story or celebration. A wonderful writer friend, Debbie Duncan, sent me this link to a story about Matteo Lopez, the young doodler who won the Doodle 4 Google logo contest. May it inspire more doodling! Here's his winning logo:

Doodle on, dude!